Friday, October 29, 2010

Can Walking Bother Me If I Have Gastritis

Burolencia

I see nothing before me ... no hope. Everything for me is finished, anything you start. A balance? After so many years, yet intense, hard working yet ... Who am I? A tired empleadito seven hours burolencia , whose pretensions of writing have been drowned. But I can not write this diary. Everything has gone to hell because day after day, for seven hours, carried out the murder of my own time.


Witold Gombrowicz, Argentina Journal .

Monday, October 25, 2010

Connect A Samson R10s Mic

Ali Chumacero, echoes of the other side

Last Saturday, while the final table of the World Meeting of Poets in Latin flare subsided a tiring night, I learned of the death of Ali Chumacero. No Before long, I discovered to my side, on the quarry bench where he sat, forgotten journal. I took it and went to the scene to avoid suspicion, but mostly having to return. It was neither more nor less, the number 133, the magazine the penny, for the months from April to May 1988. The piece is a tribute to Ali Chumacero, and includes texts by Carlos Montemayor, Marco Antonio Campos, Octavio Paz and Ramon Xirau, among others. I thought it would last a good destination if the magazine had included a text by Antonio Alatorre, who died the same day that Chumbley. What
some strange coincidence is that I caused a bit absurd and unbearable fear, so do not hesitate to give away the magazine, which I can only recall the discovery and this beautiful picture.

Thursday, October 14, 2010

Electricity Saving Schematic

Khazar Dictionary: hipernovela



The Khazar Dictionary of Milorad Pavic is a multi-book, an excellent-and overwhelming-hiperliteratura example, since its structure is essentially hypertext. This is a book that practically links the past with the future in the literary technique (inevitably think of Calvino, Queneau, Perec ...), in history and even mysticism. With Pavić, the reader learns to read at work necessarily requiring participation not only open but transcendent, which is willing to go back and forth both in the book (the classic style Rayuela ) as in dreams, because as Pavić himself says, "only one who can read the parts of a book in the correct order, you can create the world anew. "Again:" it is more important to believe in looking, listening and reading than in painting, singing or writing. "

The official website of Pavić is an essay entitled Jasmina Mihajlovic Milorad Pavic and hyperfiction which hit a few excerpts:
como
A literary text to Become an electronic text - reading and writing develops on a computer which makes non-linear and non chronological narration possible just like the primary one, the one which is characteristic of oral literature, where rhapsods organize and link fragments into a permanently movable whole which has neither a classical beginning nor a classical end and where the text is subject to perpetual changes.

[...]

It seems that an important turn and revolution has happened in the literature of the 20ieth century with the appearance of the literary works that have characteristics of the hypertext as well as with the transition of fiction into a new technology, so that literature can be divided into two currents. First of them being the non interactive and the second – the interactive writings, so That the future of fiction lies in this key.