Saturday, January 1, 2011

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varieties of pessimism. The pessimist dogmatic. Generally, petty lost. The pessimist tends to lead to dogmatic usually dogmatic reform the world. Dogmatic pessimism as art: it is always morally. His most common theme is the lack of joy (the descripion unpleasant without any redemption, in some outrageous social injustice or a long agony, as in Simone de Beauvoir: A very sweet death ). The artist always clings moralizing, ultimately the individual case and remains in the outrage unsuccessful.
romantic pessimism. Rejects the world, but in passing whispers secrets in your ear. As the occasional con artist, brings out our sympathy hidden by petty. For its latent tendency, such pessimism is complaint, appeal and surrender. In its worst manifestations, undercover called "common sense". This successful appeal to the world is always a listening ear. Result: sentimental embrace, forgive the torturer to the victim. There you go, as far the eye, engage in closed forms, save the contents behind glass, so to speak, to be clearly visible but untouchable.
My last argument against the moral: it always stays inside the circle. We do play their role, and believes it is he who plays. The moralist can not be an artist because it creates the world but it sees, making, therefore, a totally superfluous. All with the sole purpose of justification. And to recover and perhaps even for revenge, always presents his long-suffering victim as moral, that is, the human being, which actually gives you enough laughter. Because morale is certainly an essential element in reality, but at the same time the most malleable of human behavior; I've never met a moral man who was not thoroughly convinced of its truth and even moral superiority. The interesting thing is not moral, but how it plays with herself in the mirror of conscience and the will to live, especially in situations typical of a totalitarian dictatorship.


Imre Kertész, Journal of the galley.

Thursday, December 23, 2010

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pessimism Variety Robert Walser

Herisau, December 25, 1956. During his usual walk, Robert Walser has a heart attack and dies. Then his body is found lying in the snow. The author of The walk and the fabulous micrograms, was a master of the leak and stop being yourself, the proof is the existence one of his best students: Kafka.
Walser's walks always go nowhere, or, thanks to the intention of not having a destination, the trips can lead anywhere, anything. The smallest detail is what gives meaning to their rides: foot on a path of snow or walking the tiny pen paper space. Walser should be read as he wrote, the micrograms, for example: without a purpose, and the finding will always be much deeper and probably also happy.

Tuesday, December 14, 2010

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Kafka: aphorisms

2

All human errors are the result of impatience, a premature interruption of the methodical, an apparent stake apparent thing. 62


The fact that there is nothing more than a spiritual world takes away hope and gives us certainty.


109 need not leave the house. Stay at your table and listen. Not even listen, just wait. Not even wait, stay in absolute silence and solitude. The world will offer to unmask him, can not help it, enraptured, they writhe before you.


Franz Kafka, Ziirau Aphorisms .

Tuesday, December 7, 2010

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The Palace of Dreams


Baudelaire says that true reality is the dream. If so, this book by Ismail Kadare anything would be an unbearable reality. More nightmare than dream, The Palace of Dreams inevitably reminiscent of Kafka, Borges, as read, and dream-from obscurity. As I thought about this, I almost instantly reproached simplistic comparison with the authors mentioned above, it would also have to think Pessoa, or Montaigne, if preferred. Literary relations between Kadare and others can not be merely the work of neurosis, neurosis dressed my intellect, I I said, and woke up surrounded by pamphlets were written in which all dreams: the dream of the world. More than dreams
regulated by a clearly totalitarian empire, which is built in the depths of the novel is betrayal, not just the empire but the source individual, family , which quickly becomes the only possible resistance to an imposed identity, the betrayals of self, victim or supporter of the system. Or both.